Everybody
has "go-to" movies they can just stick on in the background while
they do more mundane tasks like the ironing, their tax returns, dialysis or
what have you. For me Aliens is way up at the top of that list, somewhere
sharing the rarefied air with Star Wars and Predator. Alien is a great
movie too, in a much different way, but there's just something a bit special to
me about the whole Colonial Marines vs Xenomorphs shit storm that puts it ahead
of so many films in its genre. Hearing that Ridley Scott was planning to
mitigate some of my disappointment over the last two movies in the Alien
franchise with a prequel, I can't say I wasn't intrigued. I was. Intrigued was
definitely a thing I was and a word I used. As more information started coming
to the fore however, I began using other, shorter words until I finally watched
the movie and all I could manage for about an hour afterwards was a series of puzzled monosyllabic
grunts. Buh? Wuh? and Meh? were the most common.
Despite the tedium, angry gesticulation and threats of recriminations, I have somehow ended up re-watching it at least once just because it was on in the background. I tried to use the opportunity to get answers for the questions, contradictions and plot-holes that are so glaring and infuriating in equal measure, but it's like doing a crossword where the clues are for a completely different grid in a foreign language and once you've entered the one clue you thought was right it turns out you're actually doing a Sudoku and your pen has been replaced with a stick of liquorice. The most rage inducing moments are reserved for when the crew resort to complete and miserable stupidity purely to drive the plot, which is basically the entire movie; thanks for reading, next week I'll be assaulting my own face with a series of bricks until Prometheus makes a shred of sense.
Let's attempt to apply logic and reason: if you're putting
together an epic space exploration mission to potentially find God, you would
likely want to crew said mission with a series of experts in a number of
fields. So far so good; there's a geologist, a biologist, a couple of
archaeologists/anthropologists, some people to fly the space ship, a
project manager and a robot. I think there's some security type people in there
too, but they end up being about as useful as Red Shirts in Star Trek. The
problem is that although clearly all academically gifted, they exhibit
all the common sense of a potato. In fact I'm more likely to trust my life to a
King Edward than any of this lot.
Anyone who’s seen Alien or Aliens knows there’s a 50/50 chance
that the robot (sorry, they prefer the term synthetic) is going to be evil. It’s not completely obvious straight away
but the knowing smirk David gives us when he starts monkeying around with
strange control panels and unleashes Holographic Plot Devices is fairly
demonstrative. It also provides us with moment of stupidity number one, albeit
not from our protagonists. We get our first hazy look at the Space Jockeys who
are all running away from something patently unspeakable… directly towards a
room full of what transpires to be the magical, multipurpose black substance
that is effectively Satan in goo form. Smart. That’s like running away from a
fire and hiding in a room full of explosives, which are also on fire.
The geologist, who is previously so proud of his map-making
technology, promptly gets himself and the biologist totally lost. Despite there
being a fully functioning 3D holographic map available to them should they
simply call the ship. Or he could, you know, use his mapping system again to
lead them out? Or just walk in a relatively straight line seeing as they don’t
appear to have gone very far and the labyrinth they're stuck in looks pretty
linear. No, much better to hunker down in a room full of yet more nasty stuff, including arguably the most phallic alien vagina-faced snake-cock thing ever to
grace the silver screen. Obviously a well-trained, experienced field biologist
will maintain a safe distance, observe its behaviour and document the new
species and... Oh no, wait, let's go all Steve Irwin on it and try and prod it
in the face orifice. Congratulations! You now have a mouthful of xenophallus
and everybody thinks you’re a tool. Plus you indirectly got Fifeld killed with a gene-altering facial, so your family can be extra proud of you.
Shaw and her douche bag of a boyfriend Charlie similarly can't seem
to act with the common sense they were born with. Special props for bringing a
large possible chunk of unknown genetic material on board, finding out it's
actually an alien head and promptly pumping it full of chemicals and
electricity; there's no way that could ever end badly. They even actually look
surprised when it pops. Quality science work there; prizes, party hats and cake
all round. Just don’t drink anything the robot has suspiciously dipped his
finger in. Subtle.
The omnipotent black goo bullshit winds me up a treat. It seems to be able to
disintegrate you (but create all life on earth, so silver lined clouds etc), mutate you (which here means bad acne and super strength, obviously) or impregnate you (with the fastest developing space squid ever conceived) depending on whatever corner
you've written yourself into. Casting Guy Pearce as a
decrepit old bloke rather than using an actual older actor is an odd decision at
best. Shaw running around literally moments after invasive abdominal surgery? A
medical emergency machine that isn't calibrated for women purely for dramatic
tension? Setting the whole thing on a planet in the LV system but not calling
it LV-426 simply because Ridley Scott was desperate to insist it wasn’t an
Alien prequel when it was clearly an Alien prequel? Continuing to insist on it
not being a prequel then putting protoform facehuggers and Xenomorphs in at the
end? The whole Space Jockey/Alien Spaceship thing? It’s a god damned prequel
Ridley, regardless of the fact you got Damon Lindelof, Hollywood’s Worst
Storyteller™, to butcher the script past the point of reasonable
comprehension. At least they’ve finally admitted it and put a big, familiar,
snarling face on the poster of Covenant.
*Special Mention*
Vickers. Squashed into a bloody, lifeless, crimson stain on a
remote planetoid by a giant free-wheeling alien ship simply because running
away from something that big is much more dramatic than being sensible and
running at a 90◦ angle to its very obvious and unfaltering path. If
Shaw can literally roll away from it and survive, then frankly Vickers, you deserve
everything you get. Which in this case is several thousand tons of metal to the
face.
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